Recognizable Themes (Leitmotifs)
This is the foundation: themes that make characters, brands and worlds instantly identifiable — emotional, clear, and designed for variation.
Music by Florian Linckus
The composer you call when the score has to move the story
Story-first scoring with clear arcs — from intimate character moments to large-scale hybrid orchestral writing.
Stems & versions (post-ready)
Fast turnaround, clear comms
Hybrid orchestral signature
You get a scoring partner who reduces friction in production and post: precise timing, structured feedback handling, and deliverables built for edit and mix.
About me
I’m Florian Linckus — film composer, arranger and orchestrator. I work story-first: I start with emotion, subtext and timing, then shape it into recognizable themes, clear arcs and a hybrid language combining orchestra with modern electronics. The goal is simple: music that lands in the edit and stays reliable in post — clean, structured, deliverable.
You’ll get clarity and momentum: lock musical direction early, build a cue plan that editors can work with, keep feedback and versions organized — and deliver stems/cutdowns that make mixing painless. I’m not delivering “tracks”; I’m delivering a scoring strategy that supports the story and speeds up the pipeline.
- Hybrid signature
Orchestra + textures + modern electronics - Theme-driven
Leitmotifs & variation across scenes - Post-friendly
Stems, versioning, cutdowns, clean structure - Collab workflow
Clear feedback, iteration without chaos
Signals of trust from real productions
A curated selection of clients/partners — a quick “trust scan”.
Selected clients & productions
What “Music by Florian Linckus” means for your production
You’re not hiring a “music supplier”. You’re getting a scoring partner: story-first thinking, clear dramaturgy, clean deliverables — and a workflow that holds up in post.
Brief → themes → cue plan
We set musical direction, leitmotifs and cue architecture so decisions become fast and clear.
Iteration without chaos
Structured feedback + versioning so the score evolves — instead of looping endlessly.
Editor- & post-friendly deliverables
Stems, mixes, cutdowns — built to speed up edits and keep mixes clean.
Timing, space, payoffs
Music follows beats and breath so scenes read, dialogue stays clear, and emotion lands.
Explore by use case
Start with themes (recognition). Then: categories that work in edit and deliver cleanly in post.
Horror & Thriller
Controlled tension, dread, payoff — carefully built, not just loud. Designed to stay mix- and dialogue-friendly.
Series & Drama
Subtext over melodrama: emotional precision and long-form theme development — ideal for episodic arcs.
Action & Adventure
Energy, drive, momentum — structured arcs that make edits land and payoffs hit, without generic “library” vibes.
Production & Trailer Music
Hook → build → drop — structured for editors, with cutdowns, stems and clean dramaturgy baked in.
Business & Branding
Distinct sonic identity: modern, brand-clear, delivery-safe (versions/stems) — built to sell without sounding like stock.
Animation & Comedy
Timing, colour, character — musical comedy that supports the scene instead of hijacking it. Memorable motifs included.
Testimonials
Social proof right after the listening check — short, specific, credible.
Thomas Zeug
Director / VFX Artist
Rollygeddon, Proll Out, 2 Aliens, various audio brandings • 2007–today
“Florian is an outstanding composer and still manages to surprise me every single time — that’s why we’ve worked together for almost 20 years.”
David Brückner
Director
Rapunzels Fluch 1 + 2, German Horror Story • 2020–today
“If you care about music in films—horror, drama, or anything else—you need Florian. He creates worlds with rich, unforgettable themes.”
Nico Gühlstorf
Filmmaker / Director
Nachtgleiter, various brand films • 2016–today
“Florian’s music turns my vision into reality.”
Let’s talk about your project
Share a short outline — I’ll respond with availability and a clear next step.