Listen – Music by format & use case

Instead of one overloaded playlist, you can listen directly into the areas that matter for your project – from themes & leitmotifs to series, horror, branding and trailer music.

Themes & Leitmotifs

A theme that connects your world – instead of just being there

For me, a theme is a musical anchor – something you instantly connect with a character, a film, a series or an entire franchise.

What does a theme mean to you?

For me, a strong theme connects characters, world and emotion in one clear musical idea.

What a strong theme does for your project:

  • Makes characters, locations and relationships instantly recognisable.
  • Can be varied for trailers, seasons and campaigns.
  • Stays in the ear – as a short melody or simple motif your whole score can build on.

Selection of Themes & Leitmotifs

A snapshot of themes for films, series, concepts and stand-alone works with focus on recognisability and emotion.

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Let’s talk about the theme of your project.

Send me a short outline, mood and references – I’ll outline a theme concept for you.

Horror & Thriller

Controlled tension instead of constant noise

Psychological tension, dread and payoff – structured so scares land and atmosphere holds.

Fear happens in the silence – not in constant drones.

Music that makes subtext and threat tangible before anything happens.

What you hear here:

  • Textures that build slowly without giving away too early.
  • Targeted accents and clusters for jump scares and reveals.
  • Hybrid sounds that keep horror modern without sounding generic.

Horror & Thriller – selection

Examples from horror and thriller projects focused on atmosphere, build and payoff.

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Need a sound concept for your horror or thriller?

Let’s talk tonality, subgenre and references – so music can steer tension deliberately.

Series & Drama

Music that supports characters and seasons

Long-form, character-driven dramaturgy – from quiet moments to emotional peaks.

Series need musical systems, not random cues.

Relationships, conflicts, developments – scored as part of the design.

Focus of this section:

  • Motivic networks that can stretch across seasons.
  • Finely tuned textures for dialogue, subtext and inner conflict.
  • Structured stem setups for episodic work and recaps.

Series & Drama – selection

Cues from drama-focused stories, relationships and serial narratives.

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Planning a series or drama project?

Send me the concept, treatment or scenes – we’ll design a musical system that supports the season.

Action & Adventure

Energy, movement, clear dramaturgy

Action & adventure scores that are not just loud – but structured in timing, dynamics and emotion.

Music that drives the pulse – and still reads clearly.

Every peak and every moment of calm sits where it should dramaturgically.

What defines this area:

  • Hybrid orchestral sounds for modern action and adventure stories.
  • Clearly constructed tension curves – from subtle danger to full-impact finale.
  • Arrangements that support edit, stunts and VFX instead of overwhelming them.

Action & Adventure – cue selection

Examples from action-heavy passages, chases and adventure moments – focused on drive and clarity.

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Planning an action sequence, finale or full season?

Let’s align on scope, timeline and references so the score fits the staging from beat one.

Production & Trailer

Hook, build, drop – with a personal fingerprint

Trailers, spots and production music with clear structures for editors – from subtle to maximum impact.

Trailer music that doesn’t make your campaign sound like stock.

Builds, breakdowns and finales that deliver in the right moments.

Strengths of this section:

  • Clearly structured A/B/C sections for fast cutting.
  • Risers, hits and subs that fit modern trailer language.
  • Cues that work as stand-alone tracks and as tools.

Production & Trailer – selection

Cues for trailers, spots and production use – focused on form, impact and recognisability.

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Planning a campaign or need trailer cues?

Share your goal, platforms and mood references – I’ll propose a structure and sound.

Animation & Comedy

Characters, humour, timing – played on point

Playful, emotional and character-driven music for animated series, family entertainment and comedy – including „2 Aliens“.

Every character gets its own musical identity.

Humour only works if timing and music lock in.

Strengths of this section:

  • Clear leitmotifs and hooks for characters and duos.
  • A feel for gag timing, pauses and exaggerated moments.
  • Series-ready workflow for seasons and recurring formats.

Animation & Comedy – selection

Cues from animated projects and comedy material – focused on character, humour and heart.

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Do your characters need their own sound?

Send me your bible, animatic or scenes – I’ll come back with a concept for how music can make them unmistakable.

Business & Branding

Brands that are recognisable in sound as well

Audio branding, image films and corporate content that sounds modern – without becoming generic.

Sound that doesn’t just sound good – but works for your brand.

From logo sound to campaign music: recognisability as a system.

What you hear here:

  • Music that reflects your brand’s image, values and audience.
  • Concepts that scale across social, web, events and spots.
  • Clean stems and cut-downs for flexible post and campaigns.

Business & Branding – selection

Examples from image films, corporate content and brand-focused compositions.

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Does your brand need a recognisable sound?

Let’s quickly clarify where your brand stands today – and how music can sharpen its position.